By Andrew T. Kenyon, Peter D. Rush
This distinct quantity of "Studies in legislation, Politics, and Society - The Aesthetics of legislations and tradition: Texts, pictures, monitors" - examines practices of illustration and their relation to juridical and cultural formations. The chapters diversity around the media of speech and writing, observe and photo, laws and judgment, literature, cinema and images. The contributions draw on disciplines together with jurisprudence, literary feedback, philosophy, cinema stories, artwork and visible stories, cartography, historiography and drugs. they're ordered in keeping with 4 in demand subject matters in modern, theoretically educated serious scholarship: Crime Scenes: Sexuality and illustration; websites Unsaid: Testimony, photo, style; (Post) Colonial Appropriations; and display tradition: Sovereignty, Cinema and legislation.
Read or Download An Aesthetics of Law and Culture, Volume 34: Texts, images, screens (Studies in Law, Politics, and Society) (Studies in Law, Politics, and Society) PDF
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Additional info for An Aesthetics of Law and Culture, Volume 34: Texts, images, screens (Studies in Law, Politics, and Society) (Studies in Law, Politics, and Society)
What connects these distinct functions of the hymen together is their role in securing the general disqualification of women’s speech about sex. In this context, the identification of a hymen that is able to endure penetration without breaking cannot simply be an addition to the existing body of medical knowledge, a neutral expansion of the domain of observable facts. Instead, MacNaughton Jones’ “folding hymen” ruptures the patriarchal economy of virginity by disarticulating its conventional signifiers.
Felix Gonzalez-Torres. New York: Guggenheim Museum. Teubner, G. (1993). Law as an autopoietic system. A. Bankowska & R. ). Z. ). Oxford: Blackwell. 30 PETER D. RUSH AND ANDREW T. KENYON Young, A. (1996). Imagining crime. London: Sage. Young, A. (2001). “Into the blue”: The image written on law. Yale Journal of Law and the Humanities, 13, 101. Young, A. (2004). Judging the image: Art, value, law. London: Routledge. Winter, J. (2002). Native title business (exhibition catalogue). Brisbane, Qld: Brisbane Museum.
The theory of narrative coherence is initially presented in jurisprudence by Bernard Jackson (1988). It develops out of his structuralist semiotics or logical linguistics indebted to Greimas. See also Jackson (1990). 28 PETER D. RUSH AND ANDREW T. KENYON 22. For an extended elaboration of this thesis and its implications for the current philosophy of art, see Horowitz (2001). A related concern to reconstruct philosophical aesthetics in terms of its inability or failure to address the transmissibility of art is taken up by Agamben (1999).